japanese garden

 

Rocks in Japanese gardens

Stone is the most important element of a Japanese garden. A Japanese garden may have no one Japanese lantern, no tsukubai, no real water, and even no plants. But there is no Japanese garden without stone.

Hasedera Temple Garden, Kamakura

Hasedera Temple Garden

The Japanese love of stones dates back to the Neolithic era. Ancient people believed that they were inhabited by deities. Large unique stones (iwakura) were girded with a special rope (shimenawa). The sacred place (Iwasaka) where they stood was also fenced off.

Iwakura sacred stone, Kyoto

Iwakura sacred stone

 

Iwakura Sacred Stone, Meigetsu-in Temple Garden, Kamakura

Iwakura Sacred Stone, Meigetsu-in Temple Garden

Over time, people began to add others stones to the sacred stone. And then the entire composition began to consist of the brought stones. That was the beginning of Japanese garden.

With the arrival of Buddhism Japan got the image from the foreign cosmology of Mount Meru (Shumisen), the cosmic mountain at the center of the universe. Seven golden mountain ranges and an the eighth one of iron mountain range depart in circles. Between the mountains are the oceans whith floating islands. This Indian concept of the structure of the world came to Japanese gardens. So, a large stone depicting Meru, ponds (ocean), stones (nine mountains), islands were taken up by the Japanese garden. It reflected the idea of attaining Nirvana by meditation.

Sometimes in the garden you can see only the image of Mount Meru.

Mount Meru, Meigetsu-in Temple Garden, Kamakura

Mount Meru, Meigetsu-in Temple Garden

Or there can be a composition of stones, Shumisen, imitating the archipelago. As a rule, it should contain both vertical and horizontal stones, the highest one is located closer to the center, it symbolizes the divine Mount Meru.

Shumisen, Korin-in Temple Garden, Kyoto

Shumisen, Korin-in Temple Garden

In addition to Hindu cosmology, Taoist myths have had a tremendous influence on Japanese gardens. In particular, the Chinese myth about the five islands inhabited by people who achieved immortality and lived in perfect harmony. The islands were lying on the back of giant sea turtles, and the immortals flew around the lofty peaks of the islands on the back of cranes. Chinese emperors, wishing to get to these islands and to become immortals, sent many expeditions to find this place and to obtain the elixir of immortality, but they all failed. And then the Chinese emperor Wu decided to lure the immortals to his palace, building a garden resembling magic islands.

In Japan, this myth was also very popular. But the Japanese united five islands into one, Horai (Chinese - Penglai). In garden architecture, it can be an Horai island, Horai mountain, or even Horai rock.

Horai island, Koishikawa Korakuen Garden, Tokyo

Horai island, Koishikawa Korakuen Garden

Ordinary mortals cannot get to the sacred island, so usually it does not connect with the mainland in any way. However, as always, there are exceptions to the rule. For example, in the garden of Nijo Castle, there are stone bridges to Horai Island. This reflects a fundamental rethinking of the use of ancient myth in 17th century garden design. The Island of the Immortals no longer seems so inaccessible and distant for ordinary people, especially when it comes to such daimyo as Tokugawa Ieyasu.

Horai island, Ninomaru Garden, Nijo Castle, Kyoto

Horai island, Ninomaru Garden, Nijo Castle

 

Two bridges to the Horay island, Ninomaru Garden, Nijo Castle, Kyoto

Two bridges to the Horay island, Ninomaru Garden, Nijo Castle

The renowned landscape designer Mirei Shigemori has dedicated one of his beautiful gardens to this theme.

Shofu-en (Horai-tei) garden of the Matsuo-taisha shrine, Kyoto

Shofu-en (Horai-tei) garden of the Matsuo-taisha shrine

Turtle and Crane have become symbols of longevity. And the sacred islands are a symbol of eternal life and bliss.

Turtle island, Kencho-ji Temple Garden, Kamakura

Turtle island, Kencho-ji Temple Garden

Crane island, Seiryu-en garden, Kyoto

Crane island, Seiryu-en garden

 

Turtle and Crane islands, Zuisen-ji Temple Garden, Kamakura

Turtle and Crane islands, Turtle island, Zuisen-ji Temple Garden

It should be noted that these islands can be completely different in size and shape. And these mythical animals are not always easy to recognize. Sometimes, in order to see them, you need to strain your imagination. This must be considered if you want to place a Turtle or Crane island in your garden. Often too similar images make the garden more European than Japanese. In Japanese garden, you need a hint, a stimulus to turn on the imagination, not a ready picture.

Turtle island, Saiho-ji Temple Garden, Kyoto

Turtle island, Saiho-ji Temple Garden

 

Crane island, Saiho-ji Temple Garden, Kyoto

Crane island, Saiho-ji Temple Garden

Both of these myths, the Hindu myth about the structure of the Universe and the Taoist myth about the Islands of the Immortals, are often mix up. However, they have different origins, as well as different goals and ways to achieve the desired.

In the second half of the 11th century, appeared Sakuteiki, the classic manual of garden architecture. Much attention was paid to the arrangement of stones, especially the triads. The text distinguishes between two types of stone triads: horizontal and vertical. As the name implies, the stones should be properly placed in a horizontal plane.

Sanzen-in Temple Garden, Ohara

Sanzen-in Temple Garden

 

Taizo-in temple garden, Kyoto

Taizo-in temple garden

The three stones arranged vertically represent the Buddhist triad, Sanzonseki. A large stone is usually located in the center, two smaller ones are placed on the sides of the main Buddha stone.

Komyo-in Garden of Tofuku-ji Temple, Kyoto

Komyo-in Garden of Tofuku-ji Temple

Interestingly, Shigemori Mirei placed three Buddhist triads at once in the Komyo-in garden, and they themselves form a triangle between themselves.

Komyo-in Garden of Tofuku-ji Temple, Kyoto

Komyo-in Garden of Tofuku-ji Temple

As a rule, Sandzonseki are made of tall stones. However, there are can be exceptions. So, in the famous moss garden of Saiho-ji temple, the Buddhist triad consists of three low stones, and without knowing it, it is easy to miss it.

Saiho-ji Temple Garden, Kyoto

Saiho-ji Temple Garden

In Sakuteiki, it is especially clear how reverently the Japanese treated stones. Stones are not as a kind of matter, but as something animated, special, with their own personalities, what must be treated with respect and love. Before starting to place stones, the gardener must achieve inner silence and emptiness. Only in this state he could hear the "requests" of the stones. Then the stones had to be brought into the garden, the vertical ones should be placed with their heads up, and the horizontal ones should be placed face up, and only after that they should be distributed across the garden.

In Sakuteiki the term meaning dry mountain water, karesansui, was mentioned first. However, until a certain time, this concept was used only for small stone compositions found in large gardens with a pond and islands.

Stones acquired a special role during the time of Kamakura and Muromachi, a long period of conflicts and wars. In that time the karesansui, or dry landscape garden appears. Its austere architecture reflects the tastes of samurai and Zen priests, who needed a garden not for pleasure, but for contemplation and meditation.

First, dry waterfalls appear in several temples. One of the first is the dry waterfall at Saiho-ji Temple. It is believed that the author of this work was a priest, a Zen master, Muso Kokushi.

Saiho-ji Temple Garden, Kyoto

Saiho-ji Temple Garden

He was also the abbot of Tenryuji Monastery, where another wonderful dry waterfall was built. True, the author was no longer Muso Kokushi himself.

Tenryu-ji Temple Garden, Kyoto

Tenryu-ji Temple Garden

There is another dry waterfall at Ginkaku-ji Temple.

Ginkaku-ji Temple Garden, Kyoto

Ginkaku-ji Temple Garden

There, for the first time in the history of the Japanese garden, sand was used to create the ocean and mountains. In this regard, Ginkaku-ji became a harbinger of the dry landscape, karesansui.

Ginkaku-ji Temple Garden, Kyoto

Ginkaku-ji Temple Garden

Ginkaku-ji Temple Garden

An example of pure karesansui, of course, is the famous dry garden of Ryoanji Temple. It is completely devoid of plants, except for some islets of moss. Fifteen stones are grouped in three, five and seven, and positioned within an area of raked sand. The garden has nothing to do with gardens for pleasure, it is solely for meditation. Looking at the stones, a person plunges into the world of nothingness, emptiness, he literally merges with the garden, feeling himself as a part of this big world.

Ryoan-ji Temple Garden, Kyoto

Ryoan-ji Temple Garden

The dry landscape is becoming more and more popular. Zen priests and samurai, whose life can end at any moment, are not interested in the change of seasons or in sights, they want to know the deep secrets of human existence and nature. Abstract compositions, empty space, multi-layered symbolism come to the fore. Such gardens are of great importance in the history of the Japanese garden, as they can be considered native Japanese. If everything else, in one form or another, came from China and Korea, then dry gardens were and still are truly Japanese gardens.

Rock gardens can be seen in large areas and in small sites in front of temple buildings.

Yushi-en Garden, Matsue

Yushi-en Garden

 

Hokoku-ji temple garden, Kamakura

Hokoku-ji temple garden

Sometimes there are no stones at all, only white sand, helping tune in to meditation.

Entoku-in Temple Garden, Kyoto

Entoku-in Temple Garden

And sometimes plants play the role of stones. As, for example, in the Shoden-ji garden. The author of this garden was Kobori Enshu.

Shoden-ji Temple Garden, Kyoto

Shoden-ji Temple Garden

The largest rock garden in Japan (2349 square meters) is located high in the mountains, in the Kongobuji Temple. It represents a pair of dragons emerging from a sea of clouds to protect the temple. The buildings of the temple are in the center, and the garden literally flows arounf them. Because of this, it's almost impossible to take a photo to include everything. So I had to break this garden apart. On the first photo the Dragon turns the corner, and on the next picture you can see his front part.

Banryutei Rock Garden, Kongobuji Temple, Koyasan

Banryutei Rock Garden, Kongobuji Temple

Banryutei Rock Garden, Kongobuji Temple

From the other side, the second Dragon is floating towards the first Dragon.

Banryutei Rock Garden, Kongobuji Temple

In Kongobu-ji temple there is another rock garden, but this time a small one, along the passage. It is worth noting here the color of the stones. Many people think that stones in a Japanese garden should be exclusively gray or black. In fact, the Japanese use a wide palette of colors, sometimes even in the same garden you can see gray, red, and green stones. The main thing is to find such balance so all this stones will be combined, and not look as kitsch.

Kongobu-ji Temple Garden, Koyasan

Kongobu-ji Temple Garden

You cannot walk in the garden of stones, because the raked sand symbolizes water. At least you have to lay a stone path.

Jomyo-ji Temple Garden, Kamakura

Jomyo-ji Temple Garden

Dry landscapes are popular to this day. In some cases, they have a philosophical meaning: the location and shape of stones, the absence of plants, the pattern on the gravel evoke various associations and thoughts among visitors. You can look at such pictures for hours and meditate. In this case, a light color of the dump is more appropriate, symbolizing purity, holiness.

Chishaku-in Temple Garden, Kyoto

Chishaku-in Temple Garden

Karesansui first appeared in Kyoto, and for this purpose Japanese designers used the sand from Shirakawa. It was weathered from granite and washed by river water. This sand was extremely clean and white, in keeping with the Muromachi dry garden concept.

In other gardens, gravel just plays the role of real water (if for some reason a pond is not provided), and then it is preferable to use darker colors (preferably gray) to emphasize the similarity with a stream or a pond.

Maruyama Park, Kyoto

Maruyama Park

In dry streams, both small and large pebbles can be used. Sometimes we even saw rather large and rough stones.

Jomyo-ji Temple Garden, Kamakura

Jomyo-ji Temple Garden

Thus, stones are very important, and perhaps, it is the main elements of Japanese garden. The aesthetic perception and the philosophical content of the garden in the Japanese style depends on depends on our skills in selecting and arranging them.

It’s better to use so-called ‘torn’ stones instead of boulders. In Japanese mountains firm, crystalline rock which isn’t eroded prevails, so stones with cracks and splits are found.

stone in the garden of Ginkaku-ji Temple, Kyoto

stone in the garden of Ginkaku-ji Temple

Round stones are associated with water and look more natural on the banks of ponds.

Murin-an Garden, Kyoto

Murin-an Garden

 

Adachi Museum Garden, Matsue

Adachi Museum Garden

Although still more often the Japanese prefer weathered stones, even in water.

Maruyama Park, Kyoto

Maruyama Park

Various shallows can be made from large, smooth pebbles.

Seiryu-en garden, Kyoto

Seiryu-en garden

Koishikawa Koraku-en Garden, Tokyo

Koishikawa Koraku-en Garden

Of course, it takes practice and flair to arrange the stones naturally, as they are in nature, or as the Japanese masterfully do. But for a start it is good to learn a few rules, some of which are described in the ancient classic manual of garden architecture Sakuteiki.

Before you go to buy stones, you need to decide which ones you need. To do this, draw a plan, and then go out with it to the future garden. You need to look and imagine which stone is needed in what place. Along the way, write down the approximate size and shape of the stone. I use certain names-characteristics for stones, it will help later to find the right stone. It can be vertical cliffs, flat, slides, propping, stone-boat, stone-bench, dragon, carp, ledge in the rock, etc. The names may be very different, understandable only to you.

Stone boat in Ninomaru Garden, Kyoto

stone boat in Ninomaru Garden

 

Stone in the garden of Hasedera temple, Kamakura

stone in the garden of Hasedera temple

 

Private garden in Kyoto

private garden in Kyoto

After that, you can start to look for and to buy stones. If the area is large, and a lot of stones are required, I choose the main accent stones, and add a certain amount of "support", or auxiliary stones to them.

You need to start placing the stones with these main stones. They will determine the location of their companions. In groups, you should not combine elements of the same shape and size. The number must be odd.

The stones should form a non-isosceles triangle. This applies to both triads and larger compositions. The stone groups will also look good in a non-isosceles triangle.

Saiho-ji Temple Garden, Kyoto

Saiho-ji Temple Garden

 

Chishaku-in Temple Garden, Kyoto

Chishaku-in Temple Garden

 

Adachi Museum Garden, Matsue

Adachi Museum Garden

Avoid symmetry and finding stones on the same line. Moreover, this should be checked not from one viewpoint, but from different sides.

The stability of the stone is very important. Moreover, not only from the point of view of safety, but also for visual perception. Be ready that many stones will have to be decently buried in the ground. Consider this when choosing a size. Small stones also need to be dug a little. Then there will be a complete feeling that they have always been here, but not as you just brought them and threw to the ground.

Stone in the garden of Hashimoto Kansetsu, Kyoto

stone in the garden of Hashimoto Kansetsu

You can emphasize the beauty of a single stone with a small beautiful plant.

Street in Kyoto

street in Kyoto

In general, stones surrounded by plants are found literally everywhere in Japan. It looks really great, although it does take some skill when clipping the plants.

Shofu-en Garden (Kyokusui-tei) of the Matsuo-Taisha Shrine, Kyoto

Shofu-en Garden (Kyokusui-tei) of the Matsuo-Taisha Shrine

 

Shisen-do Temple Garden, Kyoto

Shisen-do Temple Garden

Shisen-do Temple Garden

 

Yoko-en Garden of Taizo-in Temple, Kyoto

Yoko-en Garden of Taizo-in Temple

Another impressive sight is the retaining walls of stone literally intertwined with plants.

Street in Yamatokoriyama

street in Yamatokoriyama

 

Nezu Museum Garden, Tokyo

Nezu Museum Garden

 

Happo-en garden, Tokyo

Happo-en garden

 

Street in Kyoto

street in Kyoto

By the way, the Japanese fence literally everything with stones. This method will be very helpful when you need to distinguish, for example, pebbels and plants. The stones help the earth on small hills not to creep after heavy rains, while the plants grow. Depending on the purpose, such enclosing stones can be relatively large and different in shape.

Taizo-in temple garden, Kyoto

Taizo-in temple garden

 

Entrance to Tojo Park, Tokyo

entrance to Tojo Park

Or stones are matched to approximately one standard.

Shisen-do Temple Garden, Kyoto

Shisen-do Temple Garden

 

Ginkaku-ji Temple Garden, Kyoto

Ginkaku-ji Temple Garden

Иногда встречаются даже камни округлой формы, уложенные в ряд.

Yoshiki-en garden, Nara

Yoshiki-en garden

And, of course, the stones are of the greatest importance in the construction of streams and waterfalls. A fairly common method of laying out cascades with a flat stones is completely unsuitable for a Japanese garden. If you decide to make a stream or waterfall, study well the work of Japanese designers, pay attention to what stones they use, how they laid them and frame with plants.

Murin-an Garden, Kyoto

Murin-an Garden

 

Adachi Museum Garden, Matsue

Adachi Museum Garden

 

Sanzen-in Temple Garden, Ohara

Sanzen-in Temple Garden

 

Ninomaru Garden Waterfall, Nijo Castle, Kyoto

Ninomaru Garden Waterfall, Nijo Castle

 

Waterfall in Yoko-en Garden, Taizo-in Temple, Kyoto

Waterfall in Yoko-en Garden, Taizo-in Temple

 

Waterfall in Yushi-en Garden, Matsue

Waterfall in Yushi-en Garden

 

Waterfall in the garden of Chishaku-in temple, Kyoto

waterfall in the garden of Chishaku-in temple

to the top

 

anshin - a peace of mindanshin©2011All rights reserved. When using the materials of the site, reference is obligatory.
Proposals for co-operation, as well as comments and suggestions on the site please send to the address: anshinsad@gmail.com

tel: +7 (965) 121-80-60, 10am-20pm